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      • Open Access Article

        1 - An Investigation of Humanism of Contemporary Poets from the Point of View of Epistemology
        mohsen Izadyar
        This research aims to take an epistemological outlook towards humanism in modern poetry, from Persian constitutional revolution up until the Islamic revolution in Iran. By taking a pathological stance, the survey shows how from the constitutional period in Iran, which i More
        This research aims to take an epistemological outlook towards humanism in modern poetry, from Persian constitutional revolution up until the Islamic revolution in Iran. By taking a pathological stance, the survey shows how from the constitutional period in Iran, which is the commencement to modernism and accordingly to the flow of western philosophical thoughts, humanism has always been combined with personal partisan and westernized conceptions, and on the other hand always inattentive to religion and the realities of the sociopolitical structures of Iranian society. Insistence on the transference of such a culture and literature, without paying attention to the cultural and literary infrastructures of the country of the origin, has been the problem in works of modern poets. Another concept that this paper insists on is that many poets have only tried to imitate the humanist thoughts in modernist poetry. On the other hand, because of the lack of intimacy, absence of visual experience and also generalization, there is no real alignment to be found between the alleged modernist poet’s poetry and its audience. This is more than anything because of the luxurious and imitative outlook that poets have towards this specific type of poetry. Manuscript profile
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        2 - Hazrat Zaynab Kobra's (S) feature in Farsi poetry
        Ahmad Zakeri Mohammad Ali  Rahimi
        Though the cognitions of Imam Hossein entered into Persian poetry from third and fourth centuries and almost synchronous with Persian language birth, the name of Hazrat Zeinab has been used very limited and in very few cases in Persian poetry. In Safavi Dynasty, her nam More
        Though the cognitions of Imam Hossein entered into Persian poetry from third and fourth centuries and almost synchronous with Persian language birth, the name of Hazrat Zeinab has been used very limited and in very few cases in Persian poetry. In Safavi Dynasty, her name has been entered into Persian Poetry a bit more serious. However, still the poets do not refer to her properly. In Ghajar dynasty, referring to the Karbala Lady’s character becomes prevail in Persian poetry and reaches its climax in the late part of Ghajar and the beginning part of Pahlavi time. Unfortunately, despite the willing of the poets in eulogizing and parsing Hazrat Zeinab, the picture of this great lady is only described as a grief-stricken, flagged, depressed, and crying. Even this honored lady is described as a weak, and disabled woman, hence her glory, respect, and magnificence are affected drastically. From the late part of Pahlavi dynasty which the contexts of Islamic revolution is formed, the poets’ view starts to change gradually and finally with Iranian Islamic Revolution the spirit of revolution penetrates into Zeinab poetries and the poets’ view is attracted to the glorious aspects of this heaven and earth lady. Therefore, some great works which deserve the position and personality of this lady have been created. This dissertation has investigated the spiritual picture of Hazrat Zeinab in Persian Poetry. Manuscript profile
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        3 - Mystical Spiritual Dangers in Poem Concepts in Brotherhood Poems
        Leila  Sayegani Habib  Jadidol-eslami Ghale No
        Undoubtedly, Mehdi Akhavan Saleh is one of the most important post-half-generation poets whose poems, according to most scholars of contemporary Iranian literature, are a poetic and artistic combination of the classical Persian poetry tradition and new poetry. Akhavan S More
        Undoubtedly, Mehdi Akhavan Saleh is one of the most important post-half-generation poets whose poems, according to most scholars of contemporary Iranian literature, are a poetic and artistic combination of the classical Persian poetry tradition and new poetry. Akhavan Saleh is a representative of a generation of poets who is committed to the community and its developments, and literally, his poetry enjoys particular ghana. In fact, he is a poet who cares both in literary form and in his poetry content. Hence, by understanding such features in his poetry, many have tried to discover and examine the dimensions of the Akhavan-Sale literature with new readings. Manuscript profile
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        4 - Prophetic Image of the Prophet of Islam in Divan Ismail Esfahani and Saif Fergani
        Zahra  Sheihaki   Behrouz  roumiani
        Belief in prophecy is one of the principles of the religion of Islam. Faithful scholars have shown the qualities of the Prophet, Timmans and his joy for the emergence of beliefs and proximity to the prophetic tradition and persuading them to obey the carnal messenger. S More
        Belief in prophecy is one of the principles of the religion of Islam. Faithful scholars have shown the qualities of the Prophet, Timmans and his joy for the emergence of beliefs and proximity to the prophetic tradition and persuading them to obey the carnal messenger. Sayf, a mystic poet of Ferghana's profession, is familiar with the deep moral, religious, and historical events of the Prophet's epoch and, with particular attention to the sources of the soul and interpretation, with a comprehensive and artistic expression, has drawn the great events of the life of the Prophet into the field of purification and erosion. The image that he presents in Khatamalanbine's style expresses the deep devotion of this well-known poet to the Prophet Mohammad. In these lines, poetic evidence is extracted from the image of the Messenger of Nikki from the Divan Saif Farghani and descriptively-analytically, in terms of individual and social characteristics, attributes, titles, miracles and... Examined and categorized. Manuscript profile
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        5 - Looking at what death is and how to deal with it inhazin Lahiji's poetry
        zohreh arab Abol-Ghasem  Amir-Ahmadi Ali  Eshghi Sardehi
        Thinking about death is a subject whose life span is as long as the history of human life; Almost no human being can be found who has not thought about death for hours in his or her life, and perhaps it can be said that few people, like poets and philosophers, have the More
        Thinking about death is a subject whose life span is as long as the history of human life; Almost no human being can be found who has not thought about death for hours in his or her life, and perhaps it can be said that few people, like poets and philosophers, have the opportunity to express their views and feelings about death and their words Make history memorable. The poet, however, has a special place in this due to his artistic point of view; For this reason, in this article, Lahiji's sad thoughts and feelings about death were evaluated. In this article, using a descriptive-analytical method, he intends to critique and analyze nostalgia in his poems by examining and exploring Lahiji's sad life. Tired, the companion of loneliness and homelessness, is portrayed with a wealth of experiences of displacement and suffering caused by civil wars and so on. Manuscript profile